Diagol Grotesk Black ⏰⏰⏰ Black Italic ⏰⏰ Bold ⏰⏰⏰⏰ Bold Italic ⏰⏰⏰⏰ Medium ⏰⏰⏰⏰⏰⏰⏰ Medium Italic ⏰⏰⏰⏰ Regular ⏰⏰⏰⏰ Regular Italic ⏰⏰⏰ Light ⏰ Light Italic ⏰⏰⏰⏰
Operand Bold ◇◇ Bold Italic ◇◇ Medium ◇◇◇ Medium Italic Regular ◇◇◇ Regular Italic ◇◇ Light ◇◇◇◇◇ Light Italic Thin ◇ Thin Italic ◇◇◇
Hedvig Letters
Hedvig Letters — Hedvig is a Scandinavian insurance company providing a predictable insurance experience for the next generation. Kanon Foundry was tasked to create a family of typefaces in collaboration with their in-house design department as a way to improve the visual experience of the brand. The idéa was for the typeface to reflect Hedvig’s brand philosophy; To embrace the mistakes we make as humans. Full overview →
Nordic Leisure Travel Group
Nordic Leisure Travel Group — We collaborated with Happy F&B to create two different typefaces for NLTG — the top travel agency in Scandinavia. Happy F&B envisioned type inspired by the nostalgia associated with travel, that had an equal footing in classic vibes as well as the contemporary, and conveyed a feeling of booth family and premium. Full overview →
Bedow
Bedow — Bedow is a design studio based in Stockholm – Sweden. They believe great work is a product of the head and the hand working together. Thinking, analysing, and researching with the head. Conceptualise, experiment, and craft with the hand. Full overview →
Ocean Plastics
Ocean Plastics — As a part of the exhibition identity for Ocean Plastics at Röhska Museum of Design and Craft we were approached by the design studio Wang & Söderström and asked to create a typeface suitable for the exhibition theme. Full overview →
Accidents and Aftermath
Accidents and Aftermath — The photographer Carl Ander exhibited his works at the Milk Galleri in Oslo – Norway. The theme was the moments where you accidentally happened to capture something on camera. Full overview →
Optik Am Stauffacher
Optik Am Stauffacher — With direction from Dario Mutter we designed the logo for the Swiss based optician Optik Am Stauffacher. The letterforms where based on the historical references of the classic typeface Clarendon — but adjusted to suit the modern era. As the logo developed Dario realised a typeface based on the logo would make the identity even stronger. Full overview →